Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Trophime Bigot
Bigot

ID: 80995

Trophime Bigot Bigot
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Trophime Bigot Bigot


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Trophime Bigot

Trophime Bigot (1579-1649/50), also known as Theophile Bigot, Teofili Trufemondi, Candlelight Master, Maître e la Chandelle, was a French painter of the Baroque era, active in Rome and his native Provence. Bigot was born in Arles in 1579, where he began his artistic career. Between 1620 and 1634, Bigot was in Italy, including Rome. He is known to have been in Arles in 1634, where he painted the altarpiece Saint Laurent condamne au supplice (Saint Laurence Condemned to Torture) and Assomption de la Vierge (Assumption of the Virgin) for local churches. Between 1638 and 1642, he lived in Aix-en-Provence, where he painted another Assumption of the Virgin. He returned to Arles in 1642, and divided his activities between this city and Avignon, where he died around 1650.  Related Paintings of Trophime Bigot :. | Untitled | Promenade on an Indian Street | Building Site with Meadow | Hip Hip Hooray | The Dubourg Family |
Related Artists:
William Jacob Baer
William Jacob Baer (January 29, 1860 - 1941) considered the foremost American miniature painter was born in Cincinnati, Ohio January 29, 1860 and died in East Orange, New Jersey in 1941
MIEREVELD, Michiel Jansz. van
Dutch painter (b. 1567, Delft, d. 1641, Delft).
Huntington Daniel
American Hudson River School Painter. b.1816 d.1906 was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with SFB Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.






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